Throughout my multifaceted practice, I am invested in time and entanglement, and in derivative concepts like change, entropy, connectivity, and information and in how these concepts relate to our socio-ecological world.
Influenced by my interdisciplinary background in mathematics, information science, education, and art, I weave together philosophical concepts, scientific theories, psychological observations, critical examination of neoliberal ideology, and my deep concern about the temporal ramifications of the climate catastrophe: connectivity does not only relate to space and matter but to temporal entanglements. What we think of as “past” environmental pollution has created ongoing aftereffects and delayed destruction.
One area of inquiry in my work centers on knots, knot theory, networks, and nets as both conceptual and sculptural principles: Knot making, an ancient craft, is an algorithmic method for folding linear elements into spatial form, reflecting both physical connection and structural transformation through motion in time. Knots and networks offer conceptual models for analyzing ecological and sociopolitical systems.
I create research-based videos, digital animations, and nonlinear interconnected systems of objects which entangle ideas, matter, and meaning, to challenge static notions of truth, proposing that perception, material, language, and memory shape how we construct the world.
My work situates sculpture within a broader discourse on time, interdependence, and ecological collapse. Combining traditional and industrial materials with time-based media and processes, I create works that invite reflection, empathy, dialogue, and the renegotiation of knowledge. Through this, I hope to contribute to narratives that both document our present moment and inspire meaningful change.
